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Classical concerts featuring
Jennifer Johnston

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Concerts featuring Jennifer Johnston in season 2024/25 or later

April 26, 2025
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Mahler 8

Sat, Apr 26, 2025, 19:30
Edward Gardner (Conductor), Sarah Wegener (Soprano), Emma Bell (Soprano), Jennifer France (Soprano), Christine Rice (Mezzo-Soprano), Jennifer Johnston (Mezzo-Soprano), Andreas Schager (Tenor), Tomasz Konieczny (Bass-Bariton), Derek Welton (Bass-Bariton), London Philharmonic Choir, London Symphony Chorus, Tiffin Boys' Choir
Three choirs, eight starry singers and one of the largest orchestras ever put on stage: there’s a reason why Mahler’s Eighth is often called the ‘Symphony of a Thousand’. The form of the piece, setting the candescent medieval poem Veni Creator Spiritus alongside the lyrical last scene of Goethe’s Faust is in itself radical and mysterious.At the core of the piece is a vast choir who seem to represent the whole human race in a passionate prayer for change but Mahler imagined they stood for something even greater: ‘Try to imagine the whole universe beginning to ring and resound,’ he challenged.‘There are no longer human voices, but planets and suns revolving.’ Exaggeration? Judge for yourself. Mahler’s Eighth Symphony is quite simply one of the most overwhelming experiences that music has to offer.This concert has been specially developed with the Southbank Centre, with further details to be announced. It is commissioned and produced by the Southbank Centre and London Philharmonic Orchestra
May 16, 2025
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Mahler Festival: Concertgebouworkest and Klaus Mäkelä - Mahler's Symphony No. 8

Fri, May 16, 2025, 20:15
Concertgebouw Orchestra, Groot Omroepkoor, Laurens Symfonisch, Le Chœur de l'Orchestre de Paris, Nationaal Kinderkoor, Klaus Mäkelä (Conductor), Hailey Clark (Soprano), Golda Schultz (Soprano), Miriam Kutrowatz (Soprano), Jennifer Johnston (Alto), Okka von der Damerau (Alto), Giorgio Berrugi (Tenor), Michael Nagy (Bariton), Tareq Nazmi (Bass)
Klaus Mäkelä has been artistic partner of the Concertgebouw Orchestra since 2022 and will become chief conductor in 2027. Earlier in this festival, he already conducted the First Symphony, today the Eighth. The Concertgebouw Orchestra shares the stage with no fewer than four vocal ensembles: the National Radio Choir, Laurens Symphonic, the Choeur de l'Orchestre de Paris and the National Children's Choir.Mahler wrote to his friend Willem Mengelberg that his Eighth Symphony was his greatest work ever. 'All the other symphonies were anticipating this.' Moreover, he experienced it as if the piece of music was dictated to him in a vision. In two monumental movements, Mahler says he sings of the entire universe. 'There are no longer human voices sounding. They are planets and suns, revolving in their orbits.' Practically speaking, it is also a rather voluminous work. Mahler did often need very many performers, and in this Mahler's 'symphony of a thousand', there are close to four hundred. Or more: in 1912, Mengelberg conducted a version with two thousand musicians and singers.
May 18, 2025
Artistic depiction of the event

Mahler Festival: Concertgebouworkest and Klaus Mäkelä - Mahler's Symphony No. 8

Sun, May 18, 2025, 13:30
Concertgebouw Orchestra, Groot Omroepkoor, Laurens Symfonisch, Le Chœur de l'Orchestre de Paris, Nationaal Kinderkoor, Klaus Mäkelä (Conductor), Hailey Clark (Soprano), Golda Schultz (Soprano), Miriam Kutrowatz (Soprano), Jennifer Johnston (Alto), Okka von der Damerau (Alto), Giorgio Berrugi (Tenor), Michael Nagy (Bariton), Tareq Nazmi (Bass)
Klaus Mäkelä has been artistic partner of the Concertgebouw Orchestra since 2022 and will become chief conductor in 2027. Earlier in this festival, he already conducted the First Symphony, today the Eighth. The Concertgebouw Orchestra shares the stage with no fewer than four vocal ensembles: the National Radio Choir, Laurens Symphonic, the Choeur de l'Orchestre de Paris and the National Children's Choir.Mahler wrote to his friend Willem Mengelberg that his Eighth Symphony was his greatest work ever. 'All the other symphonies were anticipating this.' Moreover, he experienced it as if the piece of music was dictated to him in a vision. In two monumental movements, Mahler says he sings of the entire universe. 'There are no longer human voices sounding. They are planets and suns, revolving in their orbits.' Practically speaking, it is also a rather voluminous work. Mahler did often need very many performers, and in this Mahler's 'symphony of a thousand', there are close to four hundred. Or more: in 1912, Mengelberg conducted a version with two thousand musicians and singers.